Rangoli why important

I am Sorry. Get Well Soon. Sympathy Funeral Flowers. Fruit Basket. Balloon Bouquet. Chocolate Bouquet. Flowers with Cake. About Us. Contact Us. Flower Blog. Log in. Instagram Facebook Pinterest. Rangoli and its Spiritual Significance: It is considered auspicious to draw rangoli in Hindu Dharma during special occasions and religious ceremonies. Why Symmetry of Rangoli is important? The modern designs have many straight lines and modern shapes. The first forms predominantly contained the elements of nature such as the Sun, Fire, trees, birds, animals, and flowers.

Motifs like Swastika, crosses, circles, snakes, and Goddesses existed in cave form paintings in ancient India. One can find their usage in the modern-day designs too.

The mention of this art was made in many significant ancient scripts of India. Natyashastra, for instance, the Sanskrit treatise for the Indian arts, drafted by Bharata Muni, mentions them. This scripture was drafted during the period of B. As per this book, before artists performed an art on the stage, one symmetrical mandala adorned with colors and flowers was drawn on the stage. Then the Gods were worshipped and invoked to occupy their places on the Mandala.

Even today, when beginning a traditional puja or worship, it is a common practice to draw a design of an eight-petaled lotus flower on a cleaned wooden platform. It is decorated with turmeric, flowers, and vermilion, and Gods are worshipped and invoked.

The holy epics of Ramayana, Bhagavata, and Mahabharata have mentioned the prominence of this art in various instances. The story of Sita Mata being kidnapped by Ravan is well known to most of us. Before leaving her Sister-in-Law unprotected and alone in the hut in the forest, Lakshmana draws a circle of power around the hut and asks Sita Mata not to cross it and come outside.

But Sita Mata unintentionally crosses it and the rest is history. According to folk tales, this circle that Lakshman draws is a form of Rangoli with divine powers. Also, in Sundarakanda, where the description of Lord Vibhishana comes up, the mention of this art in his kingdom and their beauty emerges. The story about Subhadra And Lord Krishna tell the importance of this visual art. Once, in the land where Subhadra, the sister of Lord Krishna resided, there was a celebration on an Ekadashi day that needed the playing of drums and Tabor.

It so happened that the cover of the drums and the sticks of tabor was damaged. The king ordered that whoever did not follow the Sankha Chakra Gopadma ritual on that year shall be deskinned and their skin be used as the covering of the drum. Their bones shall be used as the sticks of the tabor.

Everyone in the town, except Subhadra, performed this ritual that year. Lord Krishna then suggested she clean the house and the cowshed. Then, draw beautiful patterns of a swastika, Sankha, Chakra, Gada, Padma, leaves, flowers, sugarcane, etc. Sri Krishna also instructed her to draw a cow shape on the floor and fill the stomach place with 33 lotus flowers and worship it and circumambulate it 33 times.

He assured that by doing these with devotion, she shall be freed from the sins of not performing the ritual and also can be freed from the punishment.

It is still this practice of GoPadmavrata that is practiced in Maharashtra. Gopikas were ardent worshippers of Lord Krishna.

They breathed and lived Krishna at every moment. It was once when Sri Krishna went out of the town, Gopikas missed him intensely and started to draw his exact form on a clean surface and decorated it with colors and flowers.

They used to see him in that art form and thus used to feel that Krishna was with them all the time. According to the scripture Vishnudharmottara , when Sage Narayana was deeply in penance, the apsaras began to appear in front of him to distract him.

Angered sage wanted to give a lesson to the apsaras and drew the shape of a beautiful woman from the juice of the mangos from the trees nearby. On seeing the beauty of shape, the apsaras felt ashamed and left the place. The sage gave life to that beautiful shape of women, who was none other than the Apsara Urvashi. Once upon a time, there lived a priest and his son in a kingdom. They both were highly revered and respected by the whole kingdom, including the king. Unfortunately, the son of the priest died and the whole kingdom was left in grief.

They started praying to Lord Brahma, the Creator of the Universe. Lord Brahma who was astonished at their love towards the son of the priest, appeared before them.

The people abided by his instructions with devotion and drew exactly the portrait of the son using natural colors and flours on cleaned land.

Lord Brahma then gave life to the portrait and brought back the son to life. It was then the people started drawing portraits and shapes in front of their homes to please Gods for happiness. These hindu art designs are given immense prominence especially in the month of Margasira. The story behind Andal Amman and Lord Vishnu is well known. In the 8th century, there was a devotee of Lord Vishnu in the region of Tamilnadu. He had no children for long and prayed immensely for a baby.

Then, by the grace of Lord Vishnu, he was gifted with a daughter. Daily during the worship of Lord Vishnu, her father would ask her to weave flower garland for the same. This little girl, with innocence, used to weave the garland and wear it and test it for length and fragrance before submitting it for worship.

One day, her father found a hair strand in the garland and came to know about her practice. He was upset with guilt as it is a sin to offer to God what we have tested and tried. But Lord Vishnu appeared in the dreams of Vishnuchitta and consoled that those garlands are acceptable for him.

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